Search: Starring Christopher Walken

The movie is fun, without being furious.

Allen's genius is in bringing out the humour in little incidents and in using them to provide sharp insights into character.

The script is witty and the animation has moments of breathtaking imagery.

It's clear that fun was had making Balls of Fury, and, if you're willing to accept its central conceit, it's undoubtedly fun to watch.

This is a short film about Catwoman weighed down by a lot of vague nonsense you'll end up skipping through.

It's never dull and always looks good, although the Sixties have become the Fifties - not a hippie, or civil rights marcher in sight

For a Saturday night popcorn comedy with a darker edge, you could do a lot worse.

The plot’s undoubtedly secondary to the characters, and once again Solondz has drawn a gallery of very recognisable and very flawed human beings.

As a crime caper, it is complicated enough to make even Guy Ritchie go dizzy.

Dune at least looks, sounds, amazing, though not always.

You don't have to like skiing, or care less about the Olympics, to root the hell for Eddie

The plot doesn't move and the story is unbelievable.

Hairspray is a sincere, thoroughly entertaining romp; bursting with boundless energy, inventive choreography and performances that quite simply delight.

The film has adventure at its heart and excitement in its pocket.

Jerry Bruckheimer... has no experience with children's films and it really shows here.

Overall, King Of New York is distinguished from similarly themed films by its willingness to embrace the gangster genre's exploitative nature; it's as shallow as a puddle but it's riveting viewing all the same.

Once it has established itself it unfolds with an almost metronomic inevitability, but for all that, for all that, it still satisfies.

As Brucie bursts into yet another room and unloads his automatics into yet another group of anonymous heavies you’ll find it hard not to think that this has all been done before – and better.

A light-hearted caper that makes for undemanding viewing.

Uneven, but never less than entertaining.

The film resembles a schizophrenic's acid trip - viscious, paranoid and out-of-the-box.

. Walken is more pantomime villain than genuine menace and Depp spends the entire film looking as though he regrets signing up for it.

Hollywood loves this kind of figure and occasionally this film falls into the familiar trap of overplaying his heroics, but Walken himself is solid throughout.

Excitement shivers through each scene with quirky, individual peculiarity.

A hilarious, shocking, and in the end, moving film.

McDonagh just about makes this ultra violent meta train ride all hang together.

At a time when ghouls have been relegated to cereal packets, Burton resurrects an Edwardian fascination with horror.

Featuring an up to scratch all-star cast, it is Close who really shines, with a cracking quirky little performance, again demonstrating her range.

Another victim of the style over substance genre.

After an intriguing start, it runs out of ideas.

Glen keeps a balance between the plot and the action that is believable.

Will have you laughing until you're sore.

The performances electrify.

The plot may be a pot-pourri of action cliches, but the film has a healthy sense of humour and an easy way with itself.

It's often the most slender plots that make for the best scripts because they force writers to work harder, but there's no indication of anything resembling work having gone into this.